photoshop – Page 4 – Gavtrain.com

My Photography Show 2015 Schedule

There’s only two weeks to go until The Photography Show opens its doors at the N.E.C. in Birmingham and I can’t wait. Running from the 21^st – 24^th March, it’s the UK’s biggest and busiest photography show and it’s packed to the roof with major photographic suppliers and small independent retailers.

But this isn’t just another trade show, there’s also loads of things to see and do. There’s a constant stream of live demos and talks from some of the best photographers in the UK and beyond, there’s also hands on workshops and masterclasses.

I’ll be there for the whole four days giving various talks and demos on Photoshop, Lighting and Photography. If you’re coming along it would be great to meet you and the best place to find me is at one of my talks either in the Adobe theatre, the Guild of Photographers “speakers corner” or in the Behind the lens theatre.

Saturday

10.15 am	Adobe theatre	Video Editing In Photoshop
1.00 pm	Behind the lens	Take & Make Great Photos
2.30pm	Guild of Photographers J75	Fearless Flash Photography
3.30 pm	Adobe Theatre	Make your photos look amazing with Photoshop

Sunday

10.15am	Adobe theatre	Video Editing In Photoshop
2.30 pm	Guild of Photographers J75	Fearless Flash Photography
3.30 pm	Adobe Theatre	Make your photos look amazing with Photoshop

Monday

10.15 am	Adobe theatre	Make your photos look amazing with Photoshop
12.30 pm	Adobe theatre	Hidden gems in Photoshop for photographers
2.30 pm	Guild of Photographers J75	Fearless Flash Photography

Tuesday

11:00 pm	Adobe theatre	Make your photos look amazing with Photoshop
1.15 pm	Adobe theatre	Hidden gems in Photoshop for photographers
2 pm	Adobe theatre	Video Editing In Photoshop
3 pm	Guild of Photographers J75	Fearless Flash Photography

All my demos are free and available on a first come first served basis. There’s no need to book but as the Adobe theatre in particular has limited seating I’d recommend getting there early!

Show tickets are free for professional photographers and the trade (if booked in advance) and £13.95 for enthusiasts (£18.00 on the door)

Controlling reflections in glasses

So you’ve got the lights, you have your model and you’re ready to shoot. Then you take a test photo and all you see is huge white reflections. It’s a problem that happens all too often but fortunately there are a couple of solutions that are quick, easy and effective.

Let’s start with the simplest solution. Get your subject to remove their glasses. It sounds obvious but it’s surprising how many photographers don’t have the nerve to ask. Whilst this can work wonders with occasional spec wearers, anyone who wears glasses full time will look most weird without their specs on. It’s also not going to work with the cool crowd who wear sunglasses all year round.

If you’re using flash or continuous light the chances are the reflections are likely to be from your lights and where you position the lights will affect the reflections you see in the photo.

Light from the front (including on camera flash) will produce the biggest, brightest and least attractive reflections. Because light travels in straight lines it’s going to hit the front of the spectacle lenses and bounce right back in to the camera. This really is one lighting position to avoid.

Knowing that light travels in straight lines means that moving the light source to the side will move reflection. Here the light is at about 45 degrees and the result is a reflection that’s much reduced in size.

Taking the idea a bit further, if the light is fully 90 degrees to the glasses results in a tiny reflection but also produces a split light effect which might not be the look you’re after. If you look really close you’ll still see a slight reflection. Why? Well the surface of glasses isn’t flat like a window, it’s curved so you’re never at a 90 degree angle across the whole surface of the lens.

To minimise and remove reflections the best position for the light is up high. By elevating the light the reflections will disappear and the lighting pattern remains flattering too. Asking the model to drop their chin or slightly angle the glasses down can have a similar effect.

In the video below I go through all of the tips in this post in more detail and even give you some tips on how to add a reflection of your own choosing.

[youtube]http://youtu.be/kOzPWkkmZPE[/youtube]

Gear used in this video

Canon 5D Mark III www.adorama.com/ICA5DM3.html?KBID=67338

Canon 50mm f/1.8 II www.adorama.com/CA5018AFU.html?KBID=67338

Flashpoint Light Stand www.adorama.com/FPLS9.html?KBID=67338

Black Rapid RS-7 Strap www.adorama.com/BRRS7.html?KBID=67338

Flashpoint StreakLight 360 Ws Creative Collection www.adorama.com/FPLFSL360K2.html?KBID=67338

Sekonic L-308S Flashmate www.adorama.com/SKL308S.html?KBID=67338

Westcott Rapid Box 26″ Octa Softbox www.adorama.com/WERB26OM.html?KBID=67338

Fractured Paint Brush – Friday Freebie

Back in 2011 I made a video on how to create a fractures or shattered image using Photoshop. I’ve added it to this post in case you missed it. To create the effect I made some fractured paint brushes which I uploaded to the Adobe Exchange website and shared for free. Three and a half years is a long time in the fast moving world of the internet and the Adobe Exchange (as I remember it) is no more, so I’m sharing them again here.

Full download instructions are below but you can also
Download the Paint Spatter brushes

Once downloaded just unzip and install the brushes into Photoshop or Photoshop Elements and your ready to go. The video below should give you some ideas of how to use the brushes.
[youtube]https://www.youtube.com/watch?v=JUjXJ5ZPO5M[/youtube]

If you create a photo using the Friday Freebie then let me (and everyone else) know by leaving the link in the comments below.

Usage rules
The brushes are copyright Gavin Hoey 2015. Use is limited to any personal but non-commercial purposes. Please share the Friday Freebie by linking back to this page. Do not redistribute the original image without my permission.

Download instructions
1. Click on the correct download link below (no sign up is needed)
https://drive.google.com/file/d/0B_Mmmm3K1utNcjlPYWRvekRYanc/view?usp=sharing

2. Click the Download button

3. The download should start automatically

4. No support is provided with the Friday Freebies. If you need help Google or YouTube the question and you’ll almost certainly find the answer

Photo Quiz 2014

Test your camera and Photoshop knowledge with 15 questions. At the end of the quiz you’ll be given a score based on how man errors you make
NOTE: Click the arrows to move from question to question.
[mtouchquiz 4]

Bokeh Background – Friday Freebie

At this time of year there’s the potential for bokeh shots all over the place. With the right lens, twinkling Christmas lights can make great bokeh photos and that’s exactly what I used to create this Friday Freebie background / texture.

Full download instructions are below but you can also
Download the Bokeh Background Here

Once downloaded just open the bokeh image and your photo. Copy and paste the bokeh onto your photo and use Free Transform (CTRL+T) to make the bokeh fill the image. Next you’ll need to blend the two images together. For this shot I changed the Layer Blending Mode from Normal to Screen but as all the blending modes create a different look try them all.

The bokeh will most likely need masking or erasing away to reveal your main subject. Another thing to try is duplicating the bokeh layer to deepen the effect.

If you create a photo using the Friday Freebie then let me (and everyone else) know by leaving the link in the comments below.

Usage rules
The image is copyright Gavin Hoey 2014. Use is limited to any personal but non-commercial purposes. Please share the Friday Freebie by linking back to this page. Do not redistribute the original image without my permission.

Download instructions
1. Click on the correct download link below (no sign up is needed)
https://drive.google.com/open?id=0B_Mmmm3K1utNZHVCSldJS2REMzQ&authuser=0

2. Click the Download button

3. The download should start automatically

4. No support is provided with the Friday Freebies. If you need help Google or YouTube the question and you’ll almost certainly find the answer

Red Riding Hood Photo Shoots

You probably already know the story of Red Riding Hood, it’s a timeless fairy tale about a girl and a big bad wolf. It’s also a popular subject for photography and something I wanted to take on too.

Traditionally the Red Riding Hood story takes place in the woods but I’m lucky enough to have access to my own studio space and that’s where I started. I also had a can of fake falling snow, which is actually foam and a home made red velvet cape.

For my Red Riding Hood I called upon the services of local model Fern Meave who was amazingly talented and suited the role perfectly. For the lighting I went with my two Streaklights, a small beauty dish and some coloured gels.

[youtube]https://www.youtube.com/watch?v=8t29AbUGJJg&list=PL821B7D720DEA39FA[/youtube]

Fun as the studio shoot is it’s never going to be the same as shooting on location in the woods. So for the second video that’s exactly what we did.

Weeks of planning went into the shoot but the weather was out of our control and sure enough on the day of the shoot the sky was grey and it was freezing cold. None the less we pressed on with the shoot and in the video I also pass on plenty of tips for balancing flash with low levels of ambient light.

Fern was my model once again but this time I swapped my Streaklights for a more powerful Rovelight which I reviewed a few weeks back. As it turned out I didn’t need the extra power of the Rovelight but that’s the weather for you

[youtube]https://www.youtube.com/watch?v=ywShIOcqLBU[/youtube]

Below a few photos from the shoots which you can see in more detail by clicking.

Home Studio Essentials Episodes 1-10

If you’ve been watching my recent videos over on Adorama TV you’ll have noticed a pattern forming. Over the past months the majority of the videos have focused on shooting with flash in a small, home studio and judging by the feedback it seems to have gone down very well indeed. I think part of the reason for their popularity is the way each video builds on the previous skills learned, at least that was the idea I had when I originally planned them.

Gear is always a big part of photography but none of the videos need a specific brand of equipment to complete. I used my trusty Canon 5D2 and 24-105mm lens. My flash gear is supplied by Adorama and is their amazing Streaklight flashes. If you want to know more then you can read my review.

To save you digging through my blog / YouTube to find them all I’ve added them all here.

Episode1: One bare flash
[youtube]http://youtu.be/hR4DW7dXOsk[/youtube]
Episode 2: One flash with an umbrella
[youtube]https://www.youtube.com/watch?v=ur58XNQwMXA&list=PL821B7D720DEA39FA&index=11[/youtube]
Episode 3:One flash and a softbox
[youtube]https://www.youtube.com/watch?v=z0MTQFYnvQA&list=PL821B7D720DEA39FA&index=10[/youtube]
Episode 4: One flash and a reflector
[youtube]https://www.youtube.com/watch?v=TYQh9MNC3Is&list=PL821B7D720DEA39FA&index=9[/youtube]
Episode 5: Adding a second light
[youtube]https://www.youtube.com/watch?v=FcQg0cBncHs&list=PL821B7D720DEA39FA&index=7[/youtube]
Episode 6: Using honeycomb grids
[youtube]https://www.youtube.com/watch?v=K-C9xgTCLfM&list=PL821B7D720DEA39FA&index=6[/youtube]
Episode 7: Using coloured gels
[youtube]https://www.youtube.com/watch?v=sR0wu9Sy6GM&list=PL821B7D720DEA39FA&index=5[/youtube]
Episode 8: Getting a white background
[youtube]https://www.youtube.com/watch?v=RP4IixDOP5M&list=PL821B7D720DEA39FA&index=4[/youtube]
Episode 9: Softbox as a white background
[youtube]https://www.youtube.com/watch?v=wy0VZEhwtSU&list=PL821B7D720DEA39FA&index=3[/youtube]
Episode 10: Hair / seperation light
[youtube]https://www.youtube.com/watch?v=PaDUIqdQpPM&list=PL821B7D720DEA39FA&index=2[/youtube]

Free Webinar This Thursday

If you’re around this Thursday 16th October 2014 at 7pm UK time, then I’d love it if you could join me for a one off exclusive webinar in association with Adobe UK.

The webinar is free but places are limited. All you need to do is register with this link:
https://ccppuk1.creativecloud.adobeevents.com

The title of my talk is “Editing your holiday snaps with Photoshop CC” and the title says it all. I’ll be going through some of the photos I’ve taken during 2014 and editing them in Photoshop CC. Along the way I’ll be passing on some tips and tricks as well as showing off a few of Photoshop’s smart new features.

I hope to see you there.

Drama With Grids – Home Studio Essentials – PT 6

For almost all of my studio works, soft light is what I want but every now and then it’s great to break that mold and do something with a bit more edge with grids or snoots. Fortunately my Adorama Streaklights have purpose designed tools to do the job.

In the studio grids are an essential tool, they help me light small areas with maximum precision and control. Usually I use grids in combination with a softbox as the key light but occasionally I’ll just use the grids for some dramatic effects.

[youtube]https://www.youtube.com/watch?v=K-C9xgTCLfM&list=PL821B7D720DEA39FA[/youtube]

One of the downsides of a small studio is just how easy it is to accidentally bounce light off a wall or ceiling, ruining the effect you hope to achieve. With their tighter beam of light, grids and snoots might just be the answer you’re looking for if you want to get moody lighting in your small home studio space.
Gear used in this video (Links back to Adorama)
Flashpoint StreakLight 360 Ws Flash (Includes flash and battery)
Flashpoint Streaklight 180 WS Streaklight
Grid/Gel Set Streaklight Beauty Dish/Grid Set
Canon 5D Mark 2
Canon 24-105L

Using two lights – Home Studio Essentials – Part 5

There are many ways you can use a single flash to take great portraits but sooner or later the limitations of a single flash will be reached. Adding a second flash can be a great way to open up new and creative photo opportunities.

In this video I fire up a second light to act as a hair light and separate the model from a dark background. Then in the final shoot I add a few bubbles to create something a bit special.

[youtube]https://www.youtube.com/watch?v=FcQg0cBncHs&list=UU8Pksdbj37CdE00kmE7Z1dw[/youtube]

More lights means more complexity but my advice is to treat each light separately and meter accordingly. Turning them both on and trying to balance them at the same time sounds easier but trust me it’s not!