Spotlight – Page 8 – Gavtrain.com

Make a simple LED Background

All sorts of random things can be turned into an amazing portrait background but last year I was shown something called the Pixel Stick which looked amazing. It was a Kickstarter backed project that combined LED’s and long exposures in a way I’ve never seen before. Although the pixelstick was out of my budget the basic idea wasn’t.

My low tech LED stick took just a few minutes to make and worked amazingly. Take a look at the Adorama TV video I made with the spectacular Mark Wallace to see for yourself.

I’ve had loads questions all asking the same thing… How do you make my LED stick?

eBay proved to be the perfect place to start my search. There are loads of low cost LED’s on the market and I found a 2 meter roll of multi-coloured LED’s complete with battery box and controller for about £17.00.

Each LED is actually several coloured LED’s clustered together which turn on or adjust their brightness to change the colour. The controller is very basic but allows you to set the colour, brightness and any effects such as flashing or fading through the spectrum.

The LED strip is very flexible and sealed inside clear silicone (or something like it), so I found a spare bit of 1.8m timber and attached the LED strip to that. There’s adhesive on the back of the strip but I just used a few rubber bands to hold it place. Just make sure the bands don’t cover the LED’s!

Then it’s just a matter of attaching the batteries and choosing a mode. Some colours worked better then others as did some modes. The key as always is to experiment and have some fun!

5 FAQ’s (and answers) about flash meters

If you shoot with flash you may well be aware that speedlights and (increasingly) studio strobes come in either manual or TTL versions. If you’re shooting weddings, events or any sort of running and gunning photography, TTL is brilliant but for me manual flash teamed with a flash meter is how I like to work in the studio.

If you’re thinking a flash meter might be what you need to improve the consistency of you shots or you already have a flash meter but aren’t sure on how to get started with it, then I’ve got you covered.

[youtube]https://www.youtube.com/watch?v=UG4P-Odutr8[/youtube]

In the video above I cover the top 5 questions I hear from photographers and flash meters.

Can’t I just use my camera’s meter?
Do all flash meters work the same?
How do I trigger the flash and the meter?
Where do I point the meter?
Do I really need one?

My flash meter of choice is the Sekonic L-308S Flashmate. It’s about as basic as a handheld meter can be but it’s super reliable and excellent value for money. More information can be found over at Adorama http://www.adorama.com/SKL308SN.html?KBID=67338

5 Top Tether Tips (into Lightroom)

There’s plenty of reasons why tethering your camera to your computer is a really great idea, I do it all the time for my live demos and workshops. Having your photos appear on a large screen is a great way to show them off to a group or simply to check the sharpness and colour on a screen that’s bigger and better than the one on your camera. You don’t even have to be a studio photographer to find tethering useful for example, I hook up to a 10” Windows tablet during my location workshops.

So here are my top five tips for tethering into Lightroom.

1 Already supported
Ever since Lightroom 3 there’s been a built in way to tether a camera and Lightroom. It’s quick, simple and reliable. You’ll find it under File-Tethered Capture-Start Tethered Capture. Fill in the setting boxes and away you go.

The bad news is it only works for a selected number of cameras from Canon, Nikon and Leica. You can see the full list here https://helpx.adobe.com/lightroom/kb/tethered-camera-support.html

Basically if you’re camera body isn’t supported you can’t use it but all is not lost. Jump down to section 5 for help.

2 Right Cable
OK so you have a camera that’s supported by your version of Lightroom, it’s all hooked up and the camera’s USB setting are correct. But for some reason Lightroom just won’t recognise it and insists that “No Camera Detected”

What USB cable are you using? Is it the one that camera with your camera or a cable you found stuffed away in a drawer? The problem is not all USB cables are the same, despite how they may appear and Lightroom (or rather your computer) is fussy.

Some USB cables are charging cables, some are data cables, some are both and all of them look the same. If Lightroom won’t talk to your camera it may well be the cable that’s faulty or simply doesn’t support data. Swap the cable for a known good one and try again.

3 Go long
Unless you intend to shoot with your computer less than a metre from your camera (and some photographers do) you’ll want a USB extension cable. The longer the cable the less likely I am to trip over it and the more mobile I can work. However there’s a problem. If your total cable length goes beyond about 5 meters the USB signal will be intermittent or just plain stop.

The solution is to buy something called an Active USB Extension also known as a USB Repeater Cable. It’ll have either a thicker connection at the female end or a little bump in the cable which houses a signal booster and that’s what gets you past the 5 metre limit.

4 Shrink the bar
Once everything is set up, Lightroom will auto import you images whenever you press the camera shutter button, plus it has some basic camera controls such as remote firing the shutter and… well, actually that’s it but it will show you a bunch of useful camera information like ISO and aperture.

Of course you may not need to see all that extra info, so to hide it hold the ALT key and click on the – icon in the Tether tools bar’s top right corner. You’ll be left with a single button which you can drag out of the way.

5 Not supported, not a problem
Moving from Canon to Olympus caused me a few headaches when it came to tethering into Lightroom. Like most cameras manufactures, Olympus makes its own software for tethering and gives it away for free but it lacks things I need (like full screen reviews or any sort of image editing). What it does do is auto import photos to a chosen folder on my hard drive which I can then set as a watched folder in Lightoom. Here’s how it works.

With the camera software importing to a preselected folder (how this is done varies from brand to brand) I then go to Lightroom and click File-Auto Import-Auto Import Settings and put a tick in the Enable Auto Import box. Set the watched Folder to be the same folder on my hard drive that I selected in the camera manufacturers software and do the same with the destination folder.

And that’s it, Lightroom will auto import any images that land in the watched folder and they appear on screen about five seconds after I take the shot. Best of all Lightroom remembers these settings, so it’s a “set and forget” process too!

Gavin vs Mark Portrait Challenge

A few weeks back I was honored to have Mark Wallace, my friend and fellow Adorama TV host, stop off at my studio for a couple of days. Mark has been travelling the world for the past 18 months or so and this was the first time in a long time that he’s been shooting in a studio.

Now you probably already know I love a photo challenge, so when Mark suggested a studio challenge I jumped at the chance.

The rules were simple. We’d both use the same studio, same single flash and photograph the same model. We set a 20 minute time limit to include planning and filming and would see each other’s shoot until the end.

Mark went first and you can see his video below.
[youtube]https://www.youtube.com/watch?v=L2aEN6UUDYA[/youtube]

I love what Mark did with the simple lighting and subtle editing. I was also blown away by the quality for the Leica especially as Mark had been telling me it’s probably not a camera that you’d choose for studio portraits

Once Mark was through, I got my turn.
[youtube]https://www.youtube.com/watch?v=FzQr3GTUrwg[/youtube]

It was great to try out an idea I had been thinking about for a while and as you can see, my image is totally different to Marks in almost every way. I went with a contrasty light, aggressive pose and bags of drama.

The “home advantage” really can’t be underplayed. Remember I was using my gear, a model I’ve worked with before and I had the props hanging around in my studio. Even so I think it says a lot about how the photographer adds to the image when two of us can come away with such different emotions from the same subject using the same light.

Most of all it was a huge amount of fun and that’s what photography should always be about!

My best of 2015

With the year drawing to a close, now seems like a good time to take a moment and look back at what I did with my camera during 2015. A lot (but not all) of my time goes into making videos for Adorama TV and in 2015 I made 26 of them, which have had over 1.4 million views so far.

So here are a few of my personal highlights. If you have your own, please leave me a comment.

Most watched video
At 150,000 views in just over 5 months, my “day to night” video for Adorama TV has easily been the most watched video I made in 2015. As anyone who makes YouTube videos will tell you, it’s almost impossible to predict which videos will become “popular” and often it’s not the ones you would expect, or perhaps that should be wish.

[youtube]https://www.youtube.com/watch?v=aGsQxXUEvc4[/youtube]
However I’m really thrilled this video has taken off. It was a sound idea that took a long time to plan but was great fun to shoot. Best of all I the final photos came out even better than I had hoped.

Most fun video
It’s tricky to choose just one as I enjoy them all in different ways. But the poker player shoot I did with Brian back in February was a very memorable one.

[youtube]https://www.youtube.com/watch?v=kum6KjmToYU&index=22&list=PL821B7D720DEA39FA[/youtube]
I know absolutely nothing about poker and as it turned out, neither did Brian. Fortunately Brian is an excellent actor as well as a model and once the technical bit was out of the way, he excelled in the role. I loved the range of emotions he produced although some of that may have come from drinking the “whisky” which was in fact cold tea!

Video I’m most proud of
usually my videos are all about taking and making a great shot but back in June I made a video that was more technical than usual. It covered how focal length can affect the compression in a photo.

For years I’ve listened to photographers go on about how they use a longer focal length lens to compress the foreground and background but that’s actually not strictly true. Yes they used a longer focal length lens but it’s camera to subject distance that does the compression and in this video I prove it… although I still get photographers telling me I’m wrong!

[youtube]https://www.youtube.com/watch?v=GbESqYkodmQ&list=PL821B7D720DEA39FA&index=14[/youtube]
I had photography students firmly in mind when I made this one but I know a few “expert” photographers who learned from it too.

Most fun photo shoot
I don’t just make videos, I’m also a full time photographer. I always throw myself in to any shoot but occasionally a job comes along that really stands out. The best example of that in 2015 was a PR shoot I did with LG mobile and the Three network here in the UK.

When I got an email asking if you can photograph a medium and ghosts at a ruined church in the most haunted village in the UK, I jumped at the chance. The full brief included shooting a spooky outdoor cinema in the dead of night at a location without power… I loved it!

As you can see from the photos, things got very spooky and smoky. Our medium arrived late at night having just come from a séance but I guess my lights must have frightened away the spirts as she was unable to detect any ghosts until I was packing my gear into the car!

Best “Subscribe” ending
Do you watch my videos to the end? If you do then you’ll know I like to have fun with the “Subscribe” button. And yes I do spend far too much time on it.

This year I’ve made the subscribe button float in a balloon, appear on a London bus and ripple at the bottom of a fish bowl.

But my favourite subscribe button was at the end of my 15 minute photo challenge at the Pantheon in Rome. Chiselled on to the 2000 year old wall with just a little help from Adobe After Effects, this subscribe button took a fair bit longer to make then the rest of the video took to film!

[youtube]https://www.youtube.com/watch?v=9XaF-IPSwJo[/youtube]

Tips for Better Bokeh

Recently I shared a few of my bokeh shots as a Friday Freebie. Nice as they are, nothing beats shooting your own stock shots and luckily bokeh is easy to do. This time of year is also perfect for bokeh shots with many places covered in festive lights which makes brilliant bokeh.

In the video below I cover the basics of bokeh, what it is, how you can control it and some simple tips for getting some great photos with it.

[youtube]https://www.youtube.com/watch?v=4zBfBDNyGpA[/youtube]

OK, so you’ve mastered bokeh and it’s time to go beyond basic bokeh. In part 2 of this mini series I dive a bit deeper by adding flash, doubling my bokeh count and changing the bokeh shape.

[youtube]https://www.youtube.com/watch?v=3mXg7-Juvrc&feature=youtu.be&a=[/youtube]

Bokeh is brilliant fun to play with but remember it’s not just for Christmas, the basic principles can be applied year round on any shot that has small points of light in the background.

Fearless Flash For Speedlights

I love shooting portraits with small flashes and judging by the number of questions I get about the subject, I’m not alone. I’ve run many workshops on the subject, I use speedlights during my live talks to camera groups and yes, I really do use them in my day to day work. But I’ve never made a complete video series on how to get the most from them… until now.

I’ve been working on the Fearless Flash Photograghy video series for the past few months and I’m really thrilled it’s finally completed.
More info here…

If you’re looking to get big results from small speedlights, this course is for you and I’ll walk you through everything you need to know to get up and running with speedlight photography.

In this video series you’ll learn more than just what gear you need, you’ll discover the craft of working with speedlights as I put theory into practice on some simple but stunning shoots. Working with three great models, I’ll share my favourite one flash setups and double light setups that can be quickly reproduced in any studio big or small, permanent or portable.

The course is packed with great information but you don’t need a specific camera or flash brand to follow along. It includes plenty of lighting diagrams and a BONUS video with my quick tips for post processing the images shot during the making of this series.

You choose to either rent the videos and watch online for a month or buy the series and download or watch online at anytime.
More info here…

Bokeh – Friday Freebie

Recently I visited the historic city of Winchester which was decked out with wonderful Christmas lights. Not surprisingly I couldn’t resist grabbing a few shots, especially around the pretty little Christmas market.

But I didn’t just stick to the usual type of photos, I also shot some bokeh images that might come in handy as backgrounds or textures for other photos. You can download them here:
https://drive.google.com/file/d/0B_Mmmm3K1utNMkRIWHhUUnFlMW8/view?usp=sharing

The shooting technique is simple enough. I used a wide open f/2.8 aperture and manually focused to 20cm. I then pointed my camera at the Christmas lights and zoomed in or out to adjust the size of the bokeh circles.

I’ve shared three of my favourite bokeh patterns in this Friday Freebie, I hope you find them useful.

If you create a photo using the Friday Freebie then let me (and everyone else) know by leaving the link in the comments below.

Usage rules
The image is copyright Gavin Hoey 2015. Use is limited to any personal but non-commercial purposes. Please share the Friday Freebie by linking back to this page. Do not redistribute the original image without my permission.

Download instructions
1. Click on the correct download link below (no sign up is needed)
https://drive.google.com/file/d/0B_Mmmm3K1utNMkRIWHhUUnFlMW8/view?usp=sharing

Click the Download button
The download should start automatically
No support is provided with the Friday Freebies. If you need helpGoogle or YouTube the question and you’ll almost certainly find the answer

Hereford Photo Walk

On the 31st October 2015 I visited the beautiful city of Hereford for a day of photo walking. I’d been invited by Olympus UK who organised the event and we were hosted by the LCE camera store in Hereford.

Never having visited Hereford before I’d done my research and planned a route I thought would be photographically interesting and just the right distance to fill the two and a half hours I had for both the morning an afternoon walks.

You can see a selection of photo from the day and read a little more of what happened by clicking this link
https://slate.adobe.com/cp/uEg3I

I used Adobe Slate to create that web page and it’s a brilliant free tool for telling a photo story. It’s been around on the iPad for a few months but very recently it launched on the web which is how I made mine.

I loved the high quality, full frame images and the way the pages scroll together. It looks beautiful on a computer and even better on a tablet or phone. I’m pretty sure I’ll be using it again soon.

The photo walk was a free event organised by Olympus UK but anyone with any make of camera was welcome. I saw Canon, Nikon, Fuji and Pentax cameras being used by the walkers as well lots of Olympus bodies and lenses, many of which were on loan from Olympus for the walk.

You can found out about upcoming events on the Olympus Imaging Space and if you’d like me to do a photo walk near you, don’t tell me, tell Olympus 😉

Photoshop vs Make-Up

If you’re shooting any kind of portrait, the value of good quality make-up can’t be underestimated. For example, editing time can be massively reduced in family photo shoots by applying a little powder to reduce shiny skin on men. More creative photo shoots often demand more elaborate make-up and whilst I always try and get things as good as possible in camera, I do enjoy a spot of Photoshop fun.

So I decided it put make-up and Photoshop head to head in a battle to see which was better. You can see the results in the video below.
[youtube]https://www.youtube.com/watch?v=PUWY5jvCdG4[/youtube]

Photoshop
For a single photo, given enough time and skill it’s perfectly possible to create the effect of bruises. In fact using tools such as liquify I could create some pretty convincing swelling that make-up alone couldn’t do.

Of course the downside is I’d need to do this to every photo and there are plenty of make-up styles that would be far harder (if not impossible) to recreate in post-production.

Make-Up
Give the choice, this is the way to go. An experienced make-up artist will be able to create amazing looks and once applied the make-up is there shot after shot, after shot.

Of course there’s no reason why Photoshop and make-up can’t be combined and that has the potential to take your portrait photography to a whole new level.