studio – Page 2 – Gavtrain.com

Bed Sheets As Backgrounds

When I first started shooting portraits, I made do with some very basic gear. My studio was my garage, my second light was a reflector and my backgrounds were sheets of fabric.

Fortunately I’ve added one or two more lights to my gear over the years and I have my own, permanent small home studio. My backgrounds have evolved a bit too but one of the most challenging parts of being in a studio is the limited choice of backgrounds. So in the video below I revisited my early days by buying three cheap bed sheets for use as backgrounds.

I love dark and moody studio shots, so my three bed sheets (technically they’re duvet covers) were a basic black, stripy black and damask patterned black. Each gave a very different result, as you’ll see in the video below.

[youtube]https://www.youtube.com/watch?v=9pv_LX319uU[/youtube]

So what did I discover? First off, king sized duvet’s are amazing value (I limited myself to £20 max per sheet) and because they open up, adding some timber inside helps them hang well. However the creases were a real pain and took an age to steam out.

If all you want is a basic black background, a bed sheet is cheap and works perfectly. If you want a pattern, look for sheets that are advertised as crease resistant or ironing free but be aware that those terms aren’t really accurate from a photographic point of view.

As a bonus each duvet set comes with two pillow cases. So what should I do with those? Ideas below please.

Vintage Explorer – Plan It, Shoot It, Edit

This is the first of a new series where I take you behind the scenes on one of my shoots. You get to come along for the ride as I plan the shoot, do the shoot and edit the photos.

The theme for the first “Plan It, Shoot It, Edit” is Vintage Explorer.

Plan It
It all starts with an idea, then there’s the preparation and planning. A location has to be found, props need making and finally there’s a test shoot to do. Of course not everything goes to plan, as you’ll see.

[youtube]https://www.youtube.com/watch?v=ri5f29WqWqs[/youtube]

Shoot It
Now for the fun bit… the shoot itself. The weather was cold, so I decided to get some banker shots in my studio before heading out on location. Sometimes you just get lucky and on the way home I stop off to shoot against a spectacular sunset.

[youtube]https://www.youtube.com/watch?v=3dNqKYBZNus[/youtube]

Edit
Here’s where the photos come alive. Adding colour and contrast is all that most of the shots needed but if you want to shoot wide shots and light the model with a softbox, there’s bound to be a bit of Photoshop needed.

[youtube]https://www.youtube.com/watch?v=2onA5CUF2uk[/youtube]

Behind The Scenes… Coming Soon.

I often get asked how I come up with my ideas or what my creative process is. With that in mind the next video for Adorama TV will be a different format to usual. Encompassing the creative process behind one of my photo shoots.

There’s a lot of planning and organising behind the scenes, all the stuff I don’t show usually. In the next 3 videos you will be part of the journey from initial concept through organising and shooting right to the end processing results and final conclusions.

You’ll see how we work as a team, that things don’t always go as planned. The importance of a plan B (and C) and much more. I hope you’ll join me, warts and all, to get a glimpse from the other side of the camera.

https://www.facebook.com/gavtrain/videos/2173023796040948/

My 2018 talks at The Photography Show

There’s just one week to go until The Photography Show 2018 opens its doors at the N.E.C. in Birmingham, UK. Running from the 17th – 20th March, it’s the UK’s biggest and busiest photography show around 30,000 amateur and professional photographers attending and I’ll be there for all four days.

It’s a great mix of booths from photographic businesses big and small but this isn’t just another trade show, there’s also loads of things to see and do. There’s a constant stream of free demos and talks on various live stages and that’s on top of all the smaller demos on many of the booths dotted around the show.

I’ll be there giving various talks and demos on portrait lighting and photography, so if you’re coming along it would be great to meet you.

Saturday

10.30 am	PiXAPRO E91	Out of sight light (Demo)
1:00 pm	TPS Live Stage	Beyond beauty lighting (Demo)
2.30 pm	PiXAPRO E91	One light or two (Demo)

Sunday

10.30 am	PiXAPRO E91	Out of sight light (Demo)
12.15 pm	Olympus D91	Creative portraits from simple lighting (Talk)
1.30 pm	PiXAPRO E91	One light or two (Demo)
3.30 pm	PiXAPRO E91	Out of sight light (Demo)

Monday

11.30 am	PiXAPRO E91	Out of sight light (Demo)
2.00 pm	TPS Live Stage	Creative portraits in tight spaces (Demo)
3.30 pm	PiXAPRO E91	One light or two (Demo)

Tuesday

10.30 am	PiXAPRO E91	Out of sight light (Demo)
3.30 pm	PiXAPRO E91	One light or two (Demo)

All my demos are free and available on a first come first served basis.

Show tickets are free for professional photographers and the trade (if booked in advance) and £13.95 for enthusiasts (£18.00 on the door)

Limited Color Palette Portraits

Colour can really make an image pop and catch the eye and that’s something I wanted to experiment with in my small home studio. Using some colour themed props can help give the photo’s a high fashion feel and also gives your model something to use in poses. Make up can play an important part in creating the atmosphere, especially for close shots.

In this video we look at how punchy using one strong colour can be. Don’t think that you’ll need awhole rainbow of backdrops either!

[youtube]https://www.youtube.com/watch?v=ilnJCCmprLs[/youtube]

Wall of sound background

Recently I needed a wall of speakers in my studio to make an amazing background for an upcoming music shoot. But after a bit of thought I realised there were three major problems with the idea. First, my studio space is a lot smaller then my imagination. Second, I don’t have easy access to the 25 – 30 speakers I would need for a person sized wall and third, what would I do with all those speakers after the shoot? However I do own one small PA amp (I use it during my camera club talks) and of course I have Photoshop.

So here it is, a wall of sound in my studio and all it took was a couple of photos plus an hour or two in Photoshop. The only thing missing is a musician but I’ll get to that in a later post. In the meantime, I’m sharing this background as a Friday Freebie.

If you create a photo using the Friday Freebie then let me (and everyone else) know by leaving the link in the comments below.

Usage rules
The images are copyright Gavin Hoey 2018. Use is limited to any personal but non-commercial purposes. Please share the Friday Freebie by linking back to this page. Do not redistribute the original images without my permission.

Download instructions
1. Click on the correct download link below (no sign up is needed)
https://adobe.ly/2AUg8td

Click the Download button
The download should start automatically
No support is provided with the Friday Freebies. If you need help Google or YouTube the question and you’ll almost certainly find the answer

Faded Circus 2017 Workshop – Wrap Up

Our big summer workshop is becoming something of an annual event. This years theme was “The Faded Circus” which we held at Square One Studio in Surrey on two dates in July and August. Steve, the studio owner, allowed us to take over both his studio areas and even gave us rare access to his barn for that authentic circus feel.

We were joined by 12 photographers for each date and two amazing models, Beth Smith and Brian Mansi. In order to keep the groups small and the shooting time high, I once again roped in the help of Tommy Reynolds as a group leader who did a brilliant job passing on his ideas and passion.

We’ll be running this workshop again in April 2018 (exact date TBA). Register your interest here

For the morning sessions Beth took on the roll of a show girl. We had the whole of the main studio to play with and set up various areas for Beth to sell popcorn, brave the knife throwing board and even had a little back stage area.

Brian became the circus ring master and carnival carnie. Being outside in the barn meant we could put straw on the floor and had room behind for some creative back lighting and LOTS of smoke.

After lunch it was all change. Beth was in the second studio which we’d set up as a fortune-teller’s tent. Ouija boards, crystal ball and even a little bit of fire added to the shoot. For the second shoot, we made time at the end to bring Beth and Brian together. It was a bit of a bun fight for the photographers but brilliant fun.

Who doesn’t love a clown? Well lots of us don’t and Brian played that hand to perfection. Miserable, angry and at times a little bit scary, it’s exactly what the faded circus theme was all about.

There’s nothing more frustrating to me than seeing a workshop organiser shooting photos for themselves at the expense of the attendees. As a result I only took a few shots. Fortunately, the photographers who joined us took thousands of photos and below are a few that I’ve been sent so far.

Dramatic lighting with just two speedlights

So you only have two bare speedlights and you want to shoot some creative portraits. That’s the challenge I faced recently after discussing how a fellow photographer could get started in portrait photography without spending too much on new equipment.

Don’t get me wrong, bare speedlights will obviously limit how you can light your subject and won’t beat better strobes and a choice of light modifiers but I figured that if I can generate the initial excitement for shooting portraits with basic kit, the rest will grow in time.

So with a bit of help from model Fern we dusted down the Red Riding Hood cape and set to work.

I started by putting the two lights either side of Fern, at 90 degrees to the camera and in line with her shoulders. I carefully made sure they were evenly spaced and that Fern was evenly lit. The end result was a bit too much contrast but very dramatic.

Next I spun the lights around and pointed them at the white walls of my studio. The light was bouncing off the walls which simulated the look of light coming from a source much bigger then a small speedlight. Bigger means softer when it comes to light but it also means more spread and sure enough the photo looked much flatter.

I turned the light back around. If you want a sinister look, put the lights low. It’s not a lighting position I regularly use but in this case it felt right. However the direct light from the bare flashes still looked a bit too harsh for my taste.

To soften the light a little on Ferns face I kept the lights low but angled them up to the ceiling. The result was a mixture of hard light and soft light that worked perfectly for the look we were going for.

For more information on the shoot and the post processing, check out the video below
[youtube]www.youtube.com/watch?v=LKNSqE8sdrc[/youtube]

Music and Magic Workshop – Wrap Up

Music and magic may not sound like two photo subjects which fit seamlessly together but a few weeks back they joined harmoniously on my Music and Magic workshop.

Based at the excellent Square 1 Studios, our subjects for the day were magician Anton Binder and grime artist IF-E, both of whom I’ve worked with before, so was sure the 10 photographers on the workshop were in for a great day.

Split into two groups of five, the day started with Anton in the studio shooting theatrical style images and IF-E outside shooting lifestyle images for a fictional album cover.

The afternoon was a little different. Anton got to magic up some fire and sparks thanks to something called Flash Paper, he did some close-up magic in the studio’s home set. IF-E on the other hand was laying down some lyrics in our fantasy recording studio and he finished the session posing for silhouette shots with smoke and lasers as the background and lights.

We had a great day and I’d like to thank the models, my assistants and the photographers who made the whole thing possible.

Details of my next workshop (Faded Circus) can be found here www.gavtrain.com/?page_id=5286

Film Noir in a small studio

How do you sum up the film noir style? For me words like dark, moody and sinister would be fitting but there’s a lot more to it then that. There’s the style both in lighting and subject matter to consider too.

I always think of Film Noir as being high contrast, black and white scenes lit with hard light resulting in strong shadows. Rightly or not I also think 50’s style crime drama and that’s what I set out to produce in my small home studio.
[youtube]www.youtube.com/watch?v=-9o1Pc6uDRU[/youtube]

The trick here was to set my main light low and hard (No softboxes or umbrellas) That gave great shadows from the Venetian blinds and the up light gave a sense of menace, as well as the subtle feeling our hero was on a higher floor looking down.

The rest was down to Styling. So asking Brian (the model) to have a bit of stubble, giving him a bottle of whiskey (or cold tea in this case) and of course, having him hold a vintage kids cap gun all helped set the scene and tell the story.