Backlit portrait with just one light

Final-ChristinaI’m a huge fan of using speedlights, or flash guns as I grew up calling them and I know a lot of photographers own at least one. For me the humble speedlight is a powerful tool capable of producing amazing portraits.

In this video I try to break the laws of physics by using one speedlight to light both the back and front of a model with just one light. The secret is reflecting the light off of a silver reflector which in effect makes one light become two.

As a final touch I’ll create a sparkling background by adding a little bit of flour into the air behind my model Kristina but in front of the flash.
[youtube]http://youtu.be/p3xCN7geBI0[/youtube]

Equipment used in the video: 

Adobe Photoshop CS6

http://www.adorama.com/searchsite/default.aspx?searchinfo=photoshop+cs6&category=4294967278+11&KBID=67338

Canon 60D

http://www.adorama.com/ICA60D.html?KBID=67338

Canon 24-105L f/4 IS
http://www.adorama.com/CA24105AFU.html?KBID=67338

5 in 1 reflector
http://www.adorama.com/WE5I1R20.html?KBID=67338

Lovingly Made Photo Challenge

Lovingly-Made-1It’s been a while since undertaking my last 15 minute photo challenge so for all of you who have been asking when they’ll return I’ve got some happy news.

My latest 15 minute challenge is now out and with any luck it won’t be the last. This challenge was recorded at Lovingly Made which is a vintage home and garden store located just outside East Grinstead in Sussex. They were kind enough to invite me along to photograph anything that took my eye and there was no shortage of great photos to be had.

[youtube]http://youtu.be/lA_5cVYdv74[/youtube]
Can’t see the video? Click here

As you can see from the video much of my time was spent in the store finding the smaller scenes to photograph. Fortunately I’d packed my flash and the Westcott Pocket Box which I’m in the process of reviewing. This proved to be invaluable for controlling the light.

Lovingly-Made-3Products used in the video: 

Canon 60D

Canon 24-105mm L f/4 IS

Westcott Pocket Box kit

Canon Speedlite 600EX-RT

Adobe Photoshop CS6

 

 

 

Mug Shot Background

Mug-Shot-1Last week I released a video called two portraits, one light and ever since I’ve been getting a constant stream of requests to share the mug shot background I used in the final photo. The background was one I made a while back for a photography workshop using a combination of grungy textures and a bit of Photoshop know how.

The background is just a simple JPG file which you can adjust to your own needs. For example you may wish to adjust the brightness using Levels or add a splash of colour with the Colorize option in Hue/Saturation.

Download instructions are below and once again I’m sharing the JPG file through my Adobe Creative Cloud page. No sign up is required to get a copy of the template so you’re free to jump in and make your own triptych images.

Download the Mug Shot background by clicking here

Usage rules
The image is copyright Gavin Hoey 2013. Use is limited to any personal, non-commercial purposes. Please share the Friday freebie by linking back to this page. Do not redistribute the original image without permission.

Download instructions
Click the link https://drive.google.com/file/d/0B_Mmmm3K1utNb0duUlQ4eVZQMkk/view?usp=sharing

1. Click the Download button download_icon

2. The download should start automatically

Five myths about Image Stabilisation

IS-VR-OSCanon calls it image stabilisation, Nikon uses vibration reduction and Sigma has Optical Stabilizer. The name may be different but the aim is the same. IS, VR and OS all promise the chance to shoot sharper shots at slower shutter speeds.

I love Image stabablised lenses but they can’t work miracles, so lets dispel a few myths.

IS lenses will stop blurred images
Image stabilisation will certainly reduce camera shake and often by a considerable amount, but let your shutter speed drop to low and your photo will still blur because of camera shake. Although image stabilisation will lower the shutter speed at which camera shake blur will happen, it can’t completely remove it.

Of course IS can do nothing to stop motion blur which is when your subject moves during the exposure.

My advice… I love IS lenses but beware of their limitations 

IS must be switched off when using a tripod
Generally speaking this is a good idea. Many IS system get a little confused by tripods which can lead to soft or blurred images, but as you can see in this video I leave my IS turned on when using a tripod.

So am I risking my photos being blurred? Well I’ve lost count of how many times people have pulled me up on it. The thing is many image stabablised lenses, including my Canon 24-105L, are what’s known as tripod aware which means the IS switches itself off when it’s not needed.

Whilst it’s fine to switch IS off on tripod aware lenses, you do run the risk of forgetting to switch it back on.

My advice… If you’re not sure if your IS lens is tripod aware then switch it off.

IS can replace a tripod
No image stabilisation system can completely replace a tripod but if I’m honest it can reduce the need for a tripod.

Tripods allow super long exposure, slow you down (which is good for composition) and give unrivaled sharpness to a photo.

My advice… You can’t beat a tripod but you don’t always need one. 

IS lenses are always sharper 
Well no, not always. As a general rule to avoid camera shake you want your shutter speed to be equal, or better still, double the lens focal length for a sharp shot. So when I’m hand holding a 200mm lens, I like my shutter speed to be 1/400th second or more.

If it  suddenly drops to 1/100th sec, an IS lens will give a sharper shot every time. However what if you’re using the same 200mm  lens and your shutter speed is 1/2000th second? In that case the advantage of IS lenses is the square root of nothing.

My advice… Non IS lenses are just as good as IS lenses at fast shutter speeds.

IS, VR, OS… they’re all the same
Well nearly. Some IS systems are better at stabilising then others. You’ll often see then rated as the number of stops improvement you’ll get. The best IS lenses offer around 4 stops but there’s more to it then that.

Many lenses will have more then one mode of stabilisation. For example you may get a general IS and a panning IS settings. The panning setting will reduce vertical shake only, which can be very handy for sports photographers.

My advice… More stops of IS means more money but buy the best you can afford.

2 Self-Portraits with 1 light

Self-portrait-1When I first started to learn about lighting I focused all attention on the complexities of flashes first and foremost. Of course whilst lighting is the cornerstone of great portraits, so is an ability to get the best from your model and trust me on this, that can be a lot harder to master.

One way to practice portraiture is shooting a self-portrait project. It’s a great way to practice and perfect various lighting arrangements without the need of a model, subject or assistant. 

In this video I’ll show you how to shoot two very different self portraits but remarkably, the lighting will be identical for both. The only thing that will change is the background. 

Why change the background, you may ask. Well, the first shot has a black, low key background and the second set of photos has a grey background, which is much simpler to remove and replace with a new background in Photoshop, as you’ll see in the video.
[youtube]http://youtu.be/C2b61bZ-J44[/youtube]
If you can’t see the video Click Here

Self-portrait-2

Gear used in this video 

Interfit Collapsible Double Sided Background, Black / White

 Canon 60D

Canon 24-105mm L f/4 IS

Vanguard Alta Pro 263AT Tripod

Vanguard GH-100 Grip Head

Adobe Photoshop CS6

Canon 580 EX II Flash

Flash bracket

Interfit air cushioned light stand

Silver reflective umbrella

(All links go to Adorama, who sponsor all my videos)

5 Things Top photographers do & the rest of us don’t

At some time or another we’ve all looked at the work of top photographers and wondered… What makes their photos better then mine? Is it because they use the best camera gear, work with the best models or get access to locations that mere mortals like us can only dream of? Well perhaps but here are five things top photographers do that may be you and I don’t.

1 Fill the frame
From landscape photographers to portrait photographers there’s one thing that all top photographers know and that’s to fill the frame with your subject. Now I’m not talking about simply zooming or cropping in closer, although that can be one solution. I’m talking realising what’s important to your photo as you’re looking through the viewfinder and pressing the shutter when the composition is exactly what you want
Top Tip: If it’s not part of the story, don’t have it in your photo.
5-Pro-1

2 Revisit a location/subject
Like all photographers I look at the work of my peers and wish I could shoot an image even half as good. From time to time I’ve even gone to the same location to try and recreate the photo. Sadly it’s never quite the same.

So how do top photographers get great photos? They return to the shot again and again and again until they get it right. Each time they learn a little more about where to shoot, when to photograph and what makes a good image. You may have to visit the same location a dozen times before you get the perfect light, or shoot at the same sporting venue many times to discover the best vantage points.
Top Tip: If at first you don’t succeed… go back and do it again5-Pro-2

3 Specialise on a subject
Many photographers flit from one type of photography to another. One day they’re trying to master landscape photography the next they’re trying their hand at shooting weddings. There’s absolutely nothing wrong with mixing it up but try to specialise in one area more then any other.

The fact is top photographers tend to become well known for not for shooting one area of photography but for being the best at a small niche of one area in photography. For example great fashion photographers don’t make great wedding photographers. Motor sports photographers may be rubbish at shooting football.
Top Tip: You only need to be the best in one area of photography 5-Pro-3

4 Learn from failure
All photographers have bad days and most of us have bad weeks too. Sometimes nothing goes your way. Maybe the weather doesn’t play ball or you accidentally shoot with the wrong exposure or perhaps you just run out of ideas.

When that happens, it’s natural to feel down hearted, frustrated and ready to throw in the towel. Top photographers will quickly get over the initial disappointment and the best photographers will embrace failure as all part of learning.

Going further, top photographer will expect to mess up and they’ll plan accordingly. Things like taking more then one photo, moving the view point, bracketing exposure and experimenting with lens choice are all part of the secret of success.
Top Tip: You’re the only one who will ever see your bad shots. 

5-Pro4

5 Think about post processing whilst taking photos
Let’s be honest, every photographer aims to get the photo right in the camera most of the time. We all know that Photoshop can do amazing things to help to fix photos and enhance photos but top photographers are thinking about post processing whilst holding the camera.

Let’s be clear, they’ll not think “I’ll fix that in Photoshop” they’re thinking this might work best with a square crop or this scene would look better in black and white.

Being aware of what can be done in post processing and you’re skills at doing it, should be in your mind whenever the camera is in your hand.
Top Tip: Clicking the shutter is the start of the photo and rarely the end.5-Pro-5