Photo Director 4 ~ Review

In the world of photo editing Adobe have had very little in the way of serious competition. Photo Director 4 from Cyber link would love to change that so let’s find out if it’s got what it takes.

PD4-1
Verdict: PhotoDirector 4 is surprisingly good at what it does. It borrows heavily from the design and interface of Adobe Lightroom 4 and it even throws in some neat tricks of its own. It’s just a shame that PhotoDirector can’t match the image quality gained from using Lightroom 4 that it mimics so closely.
   
Overall Rating

4-Star

Design / Features 4-Star (2)
Performance

3-Star

Price 4-Star (2)
+ Plus Points
    + Fully featured photo editor
    + Wide range of editing tools
    + Excellent pseudo HDR effect
– Minus Points
    – Image quality could be better
    – Controls can be sluggish
Price (at time of review) £72.00
Suppliers Website: http://www.cyberlink.com

As a die hard fan of Photoshop it seems very strange using a bit of software that doesn’t come from Adobe but PhotoDirector 4 has a uncanny familiarity about it. In fact if someone had told me that this was a beta version of “Lightroom Elements” I’d have totally believed them.

At its core PhotoDirector 4 is a photo organiser and photo editor that can handle pretty much any photo format you can throw at it, including RAW files. The program is split in to five modules which are the Library, Adjustment, Edit, Slideshow and Print sections. You move from one section to another making changes as you go.

You can see Photo Director 4 in action by watching my overview video below.

In use
Editing your photos is PhotoDirector 4 is a pleasant experience. There’s lots of controls at your disposal and adjustments are applied live to the image on screen. The changes appear almost instantly, although there is a momentary delay before the full resolution effect is seen on screen. I did find one annoyance however, the interface had a habit of regularly not moving the slider I was dragging.

PD4-2In the Adjustment section there’s a great selection of preset effects on offer with the option to create your own too. Sadly you can’t make presets for other sections, such as Print, which is a shame.

Unique features
It’s impossible to use PhotoDirector without comparing it to Lightroom but there’s also a bit of Photoshop Elements in there too. There’s a Liquify brush, a skin smoothing brush and a teeth whitening brush. There’s also a brilliant Pseudo HDR effect which was possibly my most favourite feature and not something you’d find in either Photoshop Elements or Lightroom.

Conclusion
PD4-3If you’ve no wish to use an Adobe product then I can whole heartedly recommend Photo Director. If you’ve tried Lightroom and found it lacking in features, I can honestly say Photo Director is well worth a go.

It’s the image quality that really matters of course and here PhotoDirector 4 held it’s head high on most adjustments. Processing RAW files gave some great results with noise free images with good sharpness and colour.

It all sounds and looks great… until you compare it to the image quality obtained in Lightroom or Photoshop. Sadly much as I liked PhotoDirector, I can pull far more out detail from the shadows and highlights in Adobe Camera RAW. I can also add much more clarity and the experience of doing so is far more fluid. That said Adobe need to watch their back as the gap between them and the competition is closing.

Art Paper Action ~ Friday Freebie

Last week I made a Photoshop tutorial that showed you a simple way of making an art paper type of texture. If you missed the video you can catch it here.

Art PaperIt was pointed out to me that the technique could be turned into a brilliant action. So here it is.

You can download the action here: https://www.gavtrain.com/free/artpaper.zip

This is a one click action, so once you’ve installed it you only need to hit the play button. The first thing the action will do is to make a copy of your photo and it’s the copy that gets the effect, leaving your original photo untouched.

I’ve designed the action so the texture effect is left as a layer that’s independent of the image. So after you’ve run the action, try adjusting the layer blending mode, opacity or adding some colour effects to fine tune the texture.

Artpaper

Usual rules apply. The action is copyright Gavin Hoey 2012. You may use it for personal, non-commercial purposes only and please do not redistribute without permission. Thank you and enjoy Smile

15 Minute Photo Challenge ~ Gatwick Revisited

It’s the return of the 15 minute photo challenge. One camera, one location, and only 15 minutes to find great photos!

15-min-Gatwick-FinalThis time I get to return to one of my favourite photo locations as I try out Canon’s all new EOS M camera and then follow me into Photoshop CS6 where I’ll show you a quick technique for making stunning black and white images.

For this challenge I borrowed the mirrorless Canon EOS-M. A more in depth review is coming soon but for now I can tell you I won’t be ditching my usual DSLR gear any time soon. Having said that it was great fun to shoot a familiar location with a new camera and sticking to the 18-55mm kit lens made me look much harder to find the photos.

Visit the Gatwick Aviation Museum http://www.gatwick-aviation-museum.co.uk

Equipment used in this video (with links to Adorama for more info)
Canon EOS-M with 18-55mm lens http://www.adorama.com/ICAMK2.html
Photoshop CS6 PC and Mac versions

Choosing an SD card for video

As a stills photographer I’m used to grabbing the nearest memory card, popping it in the camera and shooting photos. As long as there’s enough space on the card I’m good to go. But when it comes to capturing video with your DSLR, life’s not that simple.

Video-StoppedI learnt the hard way that not all memory cards are the same and even the ones that claim to be suitable for HD video can let you down. Grab the wrong card and you’ll be greeted with a message like this. “Movie recording has been stopped automatically”and basically when you see this it’s game over. So here’s some tips for choosing the right memory card for video.

Compact Flash or SDHC?
If I have the choice then I’d use compact flash cards every time. Generally speaking compact flash cards are faster, which is always good for video and from my personal experience I can testify to their durability too. Having said that, SD cards are now the norm for new cameras and there’s no going back. So it makes sense to invest in decent SD cards if you’re likely to be upgrading your camera body in the future.

The Class 10 rule
When it comes to choosing an SD card for video there’s one golden rule… It absolutely must be rated as a class 10 card. DSLR’s churn out video at an incredible rate and all that data has to be written to the card, a class 10 card can do that at least 10 megabytes per second.

Faster then fast
Class-10-2Good as the class 10 rule is, it doesn’t always work. Take a close look at these two cards from Kingston. They’re both rated as class 10 but one is faster then the other. The card on the left is capable of shifting 15mb of data per second where as the card on the right shifts a whopping 35mb of data per second.

From my experience both cards will work just fine at recording DSLR video but when you combine the faster card with a USB 3 reader, you’ll be able access the data far faster.

I’d recommend the left card is the minimum you should relay on for video, where as the card on the right is my preferred card.

Size matters.
For still photography an 8GB card will usually do me just fine for a days shooting but when it comes to video that same 8GB card will be full in just over 20 minutes. So unless you only want to shoot short clips you’re really going to need a big card. 16GB cards represent good value for money but for me 32GB cards are the way to go.

Carry Speed FS-Pro 2 ~ Review

Much as I love my Black Rapid sling straps I’ve never been 100% happy with them. So I was keen to find out how the Carry Speed FS-Pro 2 measured up.

CarrySpeed1
Verdict: There’s no denying that Carry Speed FS-Pro 2 is a well designed and well built piece of kit. The inclusion of a folding, tripod mountable plate is ingenious but only if you fit it correctly to your camera.
   
Overall Rating

4-Star

Design & Features 5-Star
Performance

4-Star

Price

4-Star

+ Plus Points
    + High levels of comfort
    + Clever mounting plate
    + Front Quick Adjustment
– Minus Points
    – Locking “O Ring” can slip
    – Easy to fit back to front
 
Price (at time of review) £56.00 ($70.00 USD)

Suppliers website www.carryspeed.com

The Carry Speed FS-Pro 2 is really a strap of two parts. First there’s the very cleverly designed F1 foldable mounting plate and the strap itself and I’ll tell you right now, they’re both brilliant.

The Strap
The first thing I noticed about the FS-Pro was it’s huge shoulder pad and to be honest I wasn’t keen on it initially. If, like me, you normally like your camera gear to be discreet then I’d suggest looking at the Carry Speed FS-Slim as a more subtle alternative.

But this strap isn’t trying to hide away, this strap is designed to make light work of carrying heavy cameras and to that end it’s amazing. In fact I’d go so far as to say it’s possibly the most comfortable camera strap I’ve ever used.

CarrySpeed2The comfort factor comes from the shoulder pad being made from a combination of stretchy neoprene and rubber. The strap can be adjusted in length to suit your size, although if you’re particularly tall or wide you might want to contact Carry Speed to check the exact length.

On the front of the strap is a couple of D-Rings for attaching links like the included uni-strap which helps spread the load of long lenses by attaching the strap to both the lens and camera body’s tripod mounts.

One of my favourite features is the front quick adjustment. Here’s how it works… when I’m not shooting with the camera and I want to keep it close to my body, all I have to do is give a sharp pull on a D-Ring and the strap instantly tightens up. Clever stuff!

The mounting plate
CarrySpeed3I’ve used sling straps for years and much as I love them, things like not being able to put the camera down flat are an annoyance. But having to remove the strap before I can use a tripod is probably top of my gripe list.

With the F1 mounting plate, Carry Speed have side stepped both those problems because it folds down flat AND it has six tripod holes meaning you can attach pretty much any quick release plate and still use the strap. The design may not be pretty but they work really well.

It’s not all good news though. The mounting plate is attached to the strap by a ball and socket which is huge! I also had concerns about the thread on the ball joint unscrewing. Carry Speed have added a rubber O-Ring which is supposed to prevent accidental unscrewing but it doesn’t. Fortunately in all of my testing I didn’t have any issues but I did keep a weather eye on the ball joint… just in case.

One really important thing to note is that the mounting plate MUST be fitted the correct way round and as there’s no clues on the plate as to which way is the correct way, it’s easy to get it wrong (just like I did the first time). When the plate is fitted back to front the whole system is worse then useless as the folding ball joint will poke you in the face. Ouch!

Conclusion
There’s so much to like about the Carry Speed FS-PRO 2. It’s super comfortable in use, very well made and supports the camera well. I do have some reservations about the design of the ball joint but that’s not enough to stop this strap becoming my “go to” sling strap for use with heavy gear.

Create "Art Paper" in Photoshop

Isn’t it always the way… You really want to add an art paper texture to your photos but you just don’t have the right image to hand. So what do you do?

Art PaperWell, in this video I’ll show you how to create you own art paper texture completely from scratch using nothing more then the standard filters found in Photoshop or Photoshop Elements. I’ll then show you how to blend the texture and the photo together to create a couple of different looks.

You’ll notice in the video I access the filters Halftone, Water Paper and Sprayed Strokes from the Filter Gallery rather then directly from the filter menu. If you use Photoshop CS6 (as I do in this video) that’s the only way you can access these supposedly less useful filters. Photoshop CS5 and earlier can either use the filter gallery or the usual filter menu, the effect will be the same.

Extract Detail Action

This weeks Friday Freebie is a brilliant little action that pulls out and amplifies the small detail and textures in your photos.

FF-detail-1As with all actions the strength of the effect will vary according to the number of pixels in the image but this one gives great results with pretty much any sized photo. You’ll need a copy of Photoshop (CS2 or later) to make the action work and at the moment it’s untested on Photoshop Elements but should work OK.

Once installed you’ll find there are three actions in the set. They’re level 1, 2 and 3 and basically it’s the same effect with three different strengths.

The action is fully self contained which means you don’t need to do anything other then click the play button. It also makes a copy of your photo (called Extract Detail) so you can copy and paste it back on to your original photo and blend in the effect as you wish.

You can download the action from here www.gavtrain.com/free/extract-detail.zip

FF-detail-2

Usual rules apply. The action is copyright Gavin Hoey 2012. You may use it for personal, non-commercial purposes only and please do not redistribute without permission. Thank you and enjoy Smile

Paint Splash Photography

I’ve photographed water drops on many occasions and I’m always amazed by the stunning images that something as hum drum as a drip of water can create. The only problem with water is it’s transparent nature. That’s fine if you want a dark background but a real problem if you’re after a white background.

Paint-Adorama-FinalFor a white background you’ll need an opaque liquid to photograph and after a bit of trial and error I found the best thing to use was paint.

If you fancy having a go yourself, there’s a couple of extra tips I can pass on as well as the video below.

Water and paint
The paint I used was a ready mixed water based paint that’s made for children. That’s important as it really does go everywhere, fortunately water based paints can be cleaned up with a damp cloth even when its dried. I also watered the paint down a lot. It was roughly 10 parts water to one part paint. That created big splashes but maintained the all important opaque property of the liquid.

Burst Mode
I used the camera’s pop up flash to trigger the main flash. It worked well but I had to wait for the pop up to recycle before I could take the next shot. However if you have a set of Pocket Wizard radio triggers (or any other make for that matter) then you can shoot in continuous shooting or burst mode making bagging the perfect splash much MUCH easier.

Here’s a list of the equipment I used in the video.
Canon 60D
Canon 70-300m USM
Light stand + Boom Arm
Canon 580 EX II Flash
Flash bracket
Canon Remote Switch
Manfrotto 190 pro Tripod
Adobe Photoshop CS6

3 Questions to ask before buying a camera

What camera should I buy? With the huge and confusing choice of cameras on the market today, it’s a question that I’m asked time and again. I may be wrong but I get the feeling that most people who ask me that question want a short answer like… “You want to buy Camera X” Sadly it’s not that easy so here’s three tips to help you choose wisely.

Which CameraWhat are you going to photograph?
This should be the first thing you ask yourself before going any further. Sports or wildlife photographers will want different features then portrait and wedding photographers. The dream of one camera fits all is getting closer but it’s not here yet.

Things to consider might include:
Are you photographing moving subjects? If so then look for a camera with good autofocus and a fast frames per second (FPS) count.

Are you going to be shooting in low light? If so then a full frame sensor camera might be for you as they generally have much lower noise at higher ISO settings

Do you mostly shoot with long zooms? If you need to get close to your subject (from a distance) then a crop sensor camera will magnify the focal length of your lenses by around 1.5 times.

Do you need an SLR camera? If you’re shooting street photos or simply prefer to travel light then one of the new breed of mirrorless cameras might well be perfect for you.

What’s your brand?
This one’s really simple… If you currently have a Canon buy another Canon. The same rule applies for Nikon, Sony etc. Yes I know it seems like that other brand has all the best features but if you own more than two lenses you’re looking at a very big bill to swap brands.

So what if you’re new to photography, have had all your gear stolen or you only owned the kit lens that went with your old camera. What brand do you buy now?

That’s easy too. Buy whatever brand of camera your friend, colleague or neighbour has. That way you can swap gear and share knowledge with someone you trust.

How much do you have to spend?
At the end of the day it really is all about the money. Cameras are not cheap items so you want to buy the best one you can.

Before you rush out with your credit card let me remind you there is a big difference between the “best camera” and the “most expensive camera”.

Set yourself a budget which will include the things that aren’t in the box. Things like:

  • Memory cards (lots of them)
  • Spare Battery
  • Camera Bag
  • A lens or two

That last one is important. A new camera body may last you three years, maybe five if you’re lucky. A decent lens should last you 10 years or if you’re lucky it might last a lifetime. Invest in lenses whenever you can… but that’s another story.

Friday Freebie No.2

grunge-border-2I know a lot of you enjoyed using the Friday freebie grungy frame I uploaded a few weeks back, so I’m going to give away another one.

This time the grungy border has a more industrial feel with peeling paint and screw heads. The centre of the image has a smoother painted look which makes it perfect for for blending with other photos.

If you like your photos to have grungy feel you’ll love this grunge photo frame. This is a very high resolution file of 4666px by 3500px in size, which makes it perfect for print use or down sampling for use with your web based images.

IMG_8713

In the photo above I added a colour image as a new layer above the grunge border. Combining the two images is as simple as changing the layer blending mode to Multiply. You might need to use the dodge and burn tools and a levels adjustment layer at the top of the layer stack might be a good idea.

I’d also suggest using images which have lots of sky, large areas of simple colour/tone or lots of nice blurred parts in the photo. Basically a photo with lots of fine detail tends not to blend so well with a textured template like this.

If you create a photo using the Friday Freebie then let me (and everyone else) know by leaving the link in the comments below.

Usage rules
The image is copyright Gavin Hoey 2013. Use is limited to any personal, non-commercial purposes. Please share the Friday Freebie by linking back to this page. Do not redistribute the original image without my permission.

Download instructions
Click the link https://drive.google.com/file/d/0B_Mmmm3K1utNZEx4MEdDNEJldkU/view?usp=sharing

1. Click the Download button download_icon

2. The download should start automatically